I just finished Althea Prince’s Politics of Black Women’s Hair and it was a fast and easy read. Fast and easy not because it lacked deep insight, historical perspective, relevance nor range; but because the writing was fluid, the language down-to-earth, and it made me laugh and relate. I also liked the documentary-like structure of personal stories interspersed with interesting facts; I think it would translate well to the stage à la Vagina Monologues.
Sister-friends, pick up a copy of this book soon as they re-stock it, though the way it’s flown off the shelves suggests that I may be preaching to the choir. But, what the hell, sing with me.
Tell me that when one of the featured women reflects on the drama – and the sense of drowning – surrounding her hair washing ritual, you didn’t remember bawling down the yard as your mother forced your head under a standpipe.
And, tell me when you read “gotta have long, straight hair for him to run his hands through and not get stuck” – from Prince’s daughter Mansa’s poem Look What the Future Hath Wrought – you didn’t think about the guy who told you he “don’t like man-head on a woman” and then, the guy who told you, as he played in your twists, how much he liked running his hands through your hair.
The book revisits terrain that’s been covered before – and acknowledges this – but somehow the treatment feels both fresh and familiar. It’s important to note as well that as a sociologist, Prince’s treatment of hair while accessible is not trifling. She knows the deep roots of this issue and how it spirals all the way up to our split ends, touching on men’s preference for the beauty ideal and women’s desire to fit the professional mold.
Still, she acknowledged some shift in attitudes such as the crowning of the first Rasta Ms Jamaica in 2007 – two years, I might add, before the crowning of the first locked Ms Antigua. But as the book acknowledges for every India Arie – and there are more and more of her – there are maybe 100 Beyonces. “I would even go so far as to suggest,” Prince wrote, “that there is a manipulative push against natural hair in mainstream society. The push manipulates many black women, and black people in general, to conform to the hegemony in which they live.” (P 111-112)
And without judging a woman’s choice to wear a blonde weave if that be her will, Prince’s book reads as a celebration of black women’s natural and “beautiful” hair.
To get there though, it acknowledged the trauma many have experienced en route to hair-acceptance. She recalled her first severe plait-up: “the pain worked its way all the way down my body, and seemed to settle in my navel.” (P 33) I don’t know about you but that sounds right up there with labour pain, or tooth ache pain, or gall stone – now I’ve only experienced one of these but I hear they’re all three about as bad as pain can get. Painfully familiar, too, is the comb to the knuckles and the silent suffering, and as one woman described it the “screw face” (P 73) under the plaiting.
A comment by one woman that some kids “were brainwashed to think that straight hair was better, especially because their hair hurt to be combed” (P 84), suggests that the trauma of ‘caring’ for the hair, informs attitudes to the hair as certainly as any other aspect of the conditioning.
But one of the things the book does, and does very well, is trace the journeying of several women towards a healthier relationship with their hair. From “… wearing a white towel on my head, flicking it around in the mirror” (P 98) as a child to “going to the barber shop and saying to the barber: ‘Just cut it off’” (P 96) to Prince’s own realisation as she reclaimed her hair from the lye that “… my experience had specificity to it. It contained a detail that is common to all black girls: natural, curly hair is not beautiful and needs to be straightened” (P 132) – an internalisation of external standards. Of course, as the book revealed, when you do decide to go natural, there’s a whole lot of re-learning to do – and one email exchange, near the end, between Prince and a friend, illustrates this in an amusing and endearing way.
One other woman who had internalised hair, and by extension, self-hate came through enough to declare, “… I am so much more happily inhabiting my entire body, including my hair …” (P 92)
Those of us who’ve come to that same place, say, amen.






Thank you Kemesha, that comment was really inspiring. I am 20 years old and I am struggling to go back to my natural hair. It’s been 7 months since I last relaxed it. When I graduated from high school in 2006, I relaxed it for my ball, however, that was not my first choice. I never liked relaxers and now it’s taking a lot of will power just to wake up everyday and do something while I grow it out. I admit, this weekend I was very close to going back to a relaxer… I was just so exasperated. I’m glad I read this article, and your comment. I will continue to persevere and endure this until I’m back to my true self.
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I think this book is a great contribution to Black societies. Hair is very personal, yet many Black women have no control over theirs. One particular quote in Chris Rock’s documentary “Good Hair” touched me deeply. One of his speakers asked, how can Black women/ Black people change the world, end their oppression when we can’t even control something so close to us, as our hair. 90 % of the Black hair industry in America is owned by White Corporations. Dark N Lovely, Revlon, Clairol you name it, a White or Asian guy owns it. We wake up everyday and we comb our oppression when we tell ourselves , and our children that nappy, kinky hair is bad and rebellious and straight, relaxed, chemical hair is good. What we fail to tell ourselves and our kids is that we are conforming to the white status quo. Another commentator in Chris Rock’s documentary asked, “why does wearing my natural hair has to be a revolution/rebellion?” Shouldn’t it be the other way around? Shouldnt’ women who chemically straighten their hair be the ones chastised for rebelling against their Black Heritage and roots?”
I am 24 years old. I am a Black woman of West Indian descent. It took me almost 10 years to convince myself to grow out my hair and get rid of all the chemicals from my hair. And I was truly afraid to do this. I had grown up with my mother insisting that my hair was bad, tough and hard to comb. I was terrified of seeing what my natural hair looked like. One day I got up frustrated by my straighten hair and chopped it all off. There was a huge outcry. My other Black girlfriends thought I was insane. I kept saying “it’s hair, it’ll grow back.” It has been 2 years since I have chopped it all off and gone natural. I have no regrets. The first few months were hard. I had to learn how to comb and style my hair, but in that process I fell in love with it. I am no longer afraid of my hair. I wear my afros and twists with pride. There are days when I am frustrated by it, but I simply let it go free. I can go to bed without wearing a head tie to keep it in place; I can walk in the rain or go swimming and feel the water on my scalp; my boyfriend can run his fingers through it anytime. In other words, I control my hair, it no longer controls me and influences what I can or cannot do. My White co-workers are astonished by it. They stare and comment. I smile and say I love my hair. I would have it no other way.
This hair has helped me shed all the baggage of my adolescent years and has help me to move forward into my 20s as a strong and confident Black women. Every morning I smile at myself in the mirror and I wondered why did it take me so long to see I can be beautiful without the relaxers, flat irons, straightening combs?
So today, I am letting my hair do the talking. I am Proud of MY Roots!
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